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Conventionalized Images of Women in Society

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Throughout clip, the images of adult females have changed. Society would wish to believe that we now are in a place to state that we live in a society of gender equality. That would be ideal, but that is far from accomplished as of yet. Mass media, such as telecasting, films, and magazines, non merely impact the work forces who view them, but they besides impact the adult females who view them. Manner magazines are most ill-famed for the ways that they portray adult females. I chose a assortment of manner magazines, W, Allure, Elle, and Cosmopolitan ( British Edition ) to exemplify how adult females are portrayed to society.

Most of the advertizements with work forces and adult females found in all of the magazines held the same intensions. In W magazine, I found an advertizement for Chanel. The adult female is wading in H2O, keeping up her skirt, with a jacket with no shirt underneath it. Behind her is a adult male with tattoos on his thorax and weaponries whom looks as if he is stalking her. She seems to hold no thought that there is a adult male stalking her behind her. She appears to be an ignorant adult female who is about to fall quarry to a & # 8220 ; strong & # 8221 ; adult male. In Elle, there is an advertizement for Guess. The adult female is in her bandeau and is being held down by a muscular and persperating adult male. She is in a really submissive place and seems to non be fighting with the adult male that is keeping her down. Another advertizement is for tickers from Cosmopolitan ( British Edition ) . The adult female is to the full bare and confronting to the full frontward.

Behind her there is a adult male who appears to besides be nude. The adult female is in a vulnerable place with the adult male behind her in the dominant place. She is the submissive party involved. The adult male has his weaponries wrapped around the adult female and her custodies are touching his custodies, proposing gender ( Jibou, Curry, and Schwirian ) .

All of the advertizements with work forces and adult females have the work forces in dominant places. The adult females in these images are unnaturally scraggy. They look as if they have been in hungriness cantonments. The fact that these adult females look bony gives manner to the thought that since these adult females appear to be hungry and will easy be taken by a adult male. Their hungriness makes them more vulnerable. Besides, how scraggy the adult females are, give support to the thought that when work forces put on weight and age it is all right, but when adult females put on weight and age it is looked down upon by society ( Jibou, Curry, and Schwirian ) .

In W, there is an Opium ( aroma ) advertizement. The adult female is wholly bare have oning spiked stilettos, heavy make-up, and diamond jewellery. She is keeping her chest in her manus. The usage of high heeled places is used as a manner for work forces to hold power over adult females ( Jibou talk ) . The high heel is seen as a manner to do adult females weak and vulnerable to work forces. Yves Saint Laurent ( company that makes Opium ) did non set apparels on the adult female, but did set spiked stiletto heels on her. The high heel is sexually appealing to work forces ( Jibou talk ) . Therefore holding a wholly bare adult female, lying on her back sprawled out with her eyes closed, touching herself, and in stiletto heels, is an image that seems as if she is merely waiting to be taken by a adult male.

The advertizements that were the most humbling to adult females that portrayed them as submissive sex objects were from Fendi. The adult female is portrayed as a edge Se

tens slave under the control of person other than herself. She is sitting on a chair and is blindfolded while she is in a disclosure leather suit. The other advertizement shows the same adult female straddling a chair with her spiked stiletto heel chained to her custodies. As like many of the other advertizements, these advertizements are demoing adult females as submissive and vulnerable. As a toy for work forces which are at that place for the pleasance and control of work forces, and that merely.

The advertizements that I found in W for Guess Jeans shows two really immature adult females barely in tight adjustment denims and armored combat vehicle tops. They appear to be persperating and the one adult female behind the other has her weaponries around the adult female in the forepart. I found that many advertizements that have more than one adult female in them seem to portray the adult females in the advertizements as being sexual with one another. I am non certain why, but it seems to hold an aura of aberrance that work forces are enamoured by.

All of the advertizements in all of the magazines send the same message to adult females, that they need to be immature, beautiful, distressingly thin, vulnerable, and submissive. This is self-worth harmonizing to mass media. The advertizements send a wholly different message to work forces. It tells work forces that it is all right to see adult females as sexual objects and symbols which are at that place for their ain personal usage and in some instances abuse.

The magazines that I chose all were all & # 8220 ; high manner & # 8221 ; magazines. The images from one magazine to another did non hold many differences between them all. The subjects that are present in the portraiture of the images of adult females are found in all of the advertizements. The chief subject is the whole thought of patriarchal society, a society in which work forces dominate adult females ( Jibou, Curry, and Shiriwan ) . The advertizements show adult females as weak and submissive and even in some instances, in compromising places.

The images of adult females in these advertizements have different impacts on work forces and adult females likewise. Unfortunately, there are different positions on how adult females & # 8217 ; s organic structures should look like versus work forces & # 8217 ; s organic structures. Womans have an unrealistic organic structure image that is perpetuated by magazines and the media. These images are portrayed by immature theoretical accounts that are emaciated ( Jibou, Curry, Shiriwan ) . These images impact work forces much otherwise.

Work forces see these advertizements and they give them the & # 8220 ; okay & # 8221 ; to see adult females as objects of desire and even belongings.

All of the advertizements I chose sell merchandises via intimations of physical and sexual force against adult females, and adult females & # 8217 ; s exposure and submissiveness. The intimations are both elusive and intense. Ad after advertizement of stupefying photographs screening emaciated and pained looking adult females with black shadows around their eyes and zygomatic bones. The adult females clutch their organic structures or look so vulnerable and injury and thin that they could be war captives who have been so violated that they are now defenceless. If the ends of some of the companies which ran these advertizements was to happen a publishable image that symbolized a colza or domestic force victim, they could non make much better. In some instances, there are interspersed between these stylized images of injury and vulnerable adult females are images of confident and powerful work forces. These work forces with their big custodies and ample vesture are clearly masters, non victims.

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