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Robert Frost Essay, Research Paper

Robert Frost

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As poets go, Frost ( 1874-1963 ) was no longer immature when he published his first book of verse forms, A Boy & # 8217 ; s Will, in 1913. Though born in San Francisco, he came of a New England household which returned to New England when he was ten. Like many other authors, he had a brief coppice with college and so supported himself by assorted agencies, runing from shoe-making to redacting a state newspaper. However, he had been brought up on a farm and he liked farming. Most of all, he liked to compose but he could non back up himself by composing. He was in his late thirties when he moved to England, where he issued his first book and found an grasp for his work he had non found in America. At the eruption of World War I, Frost went back to farming in New Hampshire. Thereafter, although he made many journeys and frequent visits elsewhere, he considered the farm his place and its activities remained the focal point of his poesy.

Frost & # 8217 ; s poetries bacame portion of a great tradition, shaped by the Roman poet Vergil, of what is called arcadian poetry-poetry about agriculture. However, though he used farm state of affairss in much of his poesy, he gave them a broad application. He might compose about stepping on a profligate and depict the feeling when it hit him, but he used the incident to demo how life gives us contusions.

Some endowments in poesy are used up early, but non Frost & # 8217 ; s. He continued to print all right poesy for 50 old ages. He reached the tallness of his popularity after World War II. If America of the twentieth century had a national poet, it was Frost. He was chosen to read one of his verse form at the startup of the late President John F. Kennedy, the first poet of all time so esteemed.

Because Frost wrote so good for so long, it is difficult to choose verse forms to reissue. Here, nevertheless, are two favourites among readers, & # 8220 ; Mending Wall & # 8221 ; and & # 8220 ; The Road Not Taken, & # 8221 ; plus three short, lesser known verse forms.

& # 8220 ; Mending Wall & # 8221 ; shows Frost at work with a neighbour, assisting to mend a rock wall that separates their two farms. Frost dislikes walls ; his neighbour likes them. We shortly see that the walls Frost is speaking about are all the things that separate one human being from another, all the things in life that keeps us from loving our fellow adult male. Yet Frost ne’er makes a discourse of his verse form. He teaches the brotherhood of adult male, but non boringly. What keeps the verse form from being pious is, foremost, Frost & # 8217 ; s capricious wit and, 2nd, the easy informality of his lines. The verse form is written in what is termed clean poetry. It has five beats to a line, and the round comes on every 2nd syllable. Besides, the lines do non rime. But Frost takes the blank-verse signifier, shakes it up, loosens it, and makes it sound about like mundane conversation. The point is, nevertheless, that it turns out to be a wise and beautiful conversation.

& # 8220 ; The Road Not Taken & # 8221 ; is set in some forests but the topographic point where it occurs is truly anyplace and any clip. It is, so to talk, the land of & # 8220 ; Might Have Been. & # 8221 ; We must do a determination. We Must make up one’s mind which manner to travel. This cosmopolitan dilemma Frost turns into poesy of soft yet strong apprehension. Here there is nil local or folksy in the words he uses. His message is worldwide. He besides has fewer of his personal, conversational beat in these lines than in & # 8220 ; Repairing Wall, & # 8221 ; and the signifier of the verse form is one of stanzas, each habitue in its agreement of rimes.

& # 8220 ; Fire and Ice, & # 8221 ; & # 8220 ; Acquainted with the Night, & # 8221 ; and & # 8220 ; Design & # 8221 ; look at first reading to be limpidly simple, yet after better familiarity they turn out to be rich in concealed significances. There is a certain reserve, a tease indirectness, in Frost & # 8217 ; s manner of stating his idea, apparent in these three short verse forms. He frequently leaves the reader to seek for any implied significance and often implies a more general significance to his moral than he seems to province. He appears non to perpetrate himself to any solution which runs the danger of being excessively simple. On one juncture he said: & # 8220 ; & # 8230 ; I prefer the synecdoche in poetry-that figure of address in which we use a portion for the whole. & # 8221 ; Life, as Frost saw it, is full of evident paradoxes. It

is tragic and uproariously amusing, beautiful and ugly, helter-skelter and incorporate, and he refused to take an either/or place, as we will see in such verse forms as “Fire and Ice” and “Design.”

Materials Available in American Resource Center

Plants by Robert Frost

Frost, Robert, and others. Robert Frost, A Tribute to the Source. New York: Holt, Rinehart and Winston, 1979, 165 p. ( 811 Fro )

Plants about Robert Frost

Brower, Reuben Arthur. The Poetry of Robert Frost ; Constellations of Intention. New York, Oxford University Press, 1963, 246 p. ( 811 Bro )

Ciffin, Robert P. Tristram. New Poetry of New England: Frost and Robinson. New York: Russell & A ; Russell, 1938, 148 p. ( 811 Cof )

Cook, Reginald Lansing. The Dimensions of Robert Frost. New York, Barnes & A ; Noble, 1958, 241 p. ( 811 Coo )

Frost, Robert, and others. Robert Frost, a Tribute to the Source. New York: Holt, Rinehart and Winston, 1979, 165 p. ( 811 Fro )

Gerber, Philip L. Robert Frost. New York, Twayne Publishers, 1967,1966, 192 p. ( 811 Ger )

Gerber, Philip L. Critical Essays on Robert Frost. Boston, Mass. : G.K. Hall, 1982, 247 p. ( 811 Cri )

Gould, Jean. Robert Frost ; The Aim Was Song. New York, Dodd, Mead, 1964, 302 p. ( 811 Gou )

Lynen, John F. The Pastoral Art of Robert Frost. New Haven: Yale University Press, 1960, 208 p. ( 811 Lyn )

Nitchie, George Wilson. Human Values in the Poetry of Robert Frost: A Study of a Poet & # 8217 ; s Convictions. Durham, N.C. : Duke University Press, 1960, 242 p. ( 811 Nit )

Potter, James Lain. Robert Frost Handbook. University Park: Pennsylvania State University Press, 1980, 205 p. ( 811 Pot )

Pritchard, William H. Frost: A Literary Life Reconsidered. New York: Oxford University Press, 1984, 286 p. ( 811 Pri )

Thompson, Lawrance. Robert Frost: The Old ages of Triumph 1915-1938. New York: Holt, Rinehart and Winston, Inc. , 1970, 744 p. ( 811 Tho )

Thompson, Lawrance Roger. Fire and Ice ; The Art and Thought of Robert Frost. New York: H. Holt and Co. , 1942, 241 p. ( 811 Tho )

Materials Available in American Resource Center

Plants by Robert Frost

Frost, Robert, and others. Robert Frost, A Tribute to the Source. New York: Holt, Rinehart and Winston, 1979, 165 p. ( 811 Fro )

Plants about Robert Frost

Brower, Reuben Arthur. The Poetry of Robert Frost ; Constellations of Intention. New York, Oxford University Press, 1963, 246 p. ( 811 Bro )

Ciffin, Robert P. Tristram. New Poetry of New England: Frost and Robinson. New York: Russell & A ; Russell, 1938, 148 p. ( 811 Cof )

Cook, Reginald Lansing. The Dimensions of Robert Frost. New York, Barnes & A ; Noble, 1958, 241 p. ( 811 Coo )

Frost, Robert, and others. Robert Frost, a Tribute to the Source. New York: Holt, Rinehart and Winston, 1979, 165 p. ( 811 Fro )

Gerber, Philip L. Robert Frost. New York, Twayne Publishers, 1967,1966, 192 p. ( 811 Ger )

Gerber, Philip L. Critical Essays on Robert Frost. Boston, Mass. : G.K. Hall, 1982, 247 p. ( 811 Cri )

Gould, Jean. Robert Frost ; The Aim Was Song. New York, Dodd, Mead, 1964, 302 p. ( 811 Gou )

Lynen, John F. The Pastoral Art of Robert Frost. New Haven: Yale University Press, 1960, 208 p. ( 811 Lyn )

Nitchie, George Wilson. Human Values in the Poetry of Robert Frost: A Study of a Poet & # 8217 ; s Convictions. Durham, N.C. : Duke University Press, 1960, 242 p. ( 811 Nit )

Potter, James Lain. Robert Frost Handbook. University Park: Pennsylvania State University Press, 1980, 205 p. ( 811 Pot )

Pritchard, William H. Frost: A Literary Life Reconsidered. New York: Oxford University Press, 1984, 286 p. ( 811 Pri )

Thompson, Lawrance. Robert Frost: The Old ages of Triumph 1915-1938. New York: Holt, Rinehart and Winston, Inc. , 1970, 744 p. ( 811 Tho )

Thompson, Lawrance Roger. Fire and Ice ; The Art and Thought of Robert Frost. New York: H. Holt and Co. , 1942, 241 p. ( 811 Tho )

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