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Mis Rables Essay, Research Paper

Any character can suit into one of two classs, inactive or dynamic. One can see the alterations undergone by dynamic characters developments. These developments capture the reader s attending and focal point in a novel. Victor Hugo masters the art of character alteration with both his characters Jean Valjean and Fantine. Quite merely, both Valjean and Fantine undergo significant alterations in their several natures.

Initially, the reader receives a really negative feeling of Valjean. For a clip, every character he encounters shuns him. Hugo describes him in the extract, A adult male with a backpack and a rope, and a awful looking face ( Hugo 12 ) . Furthermore, the local host throws him out, moving as if he has no vacancy. Truly the description, Jean Valjean entered the galleys sobbing and shivering ; he went out hardened ; he entered in desperation ; he went out sullen, fits Valjean like a baseball mitt ( Hugo 20 ) . Valjean shortly proves the public s position of him to be good justified. After a sort and selfless priest brings Valjean in from the cold, Valjean repays him by hooking his Ag. Miraculously, the priest gives him another opportunity at salvation by lead oning the constabulary ; he adds the brief message, you have promised me to utilize this Ag to go an honorable adult male ( Hugo 30 ) . However, Valjean commits one last act of evil. Valjean bargains a silver piece from a immature male child. Soon after, Valjean does so do an development in his character. He seeks madly to return Petite Gervais coin. The citation, what a wretch I am, signifies to the reader this alteration in Valjean. This alteration remains for good in Valjean. Some old ages subsequently, a fire Burnss in Montreuil Sur Mer. Valjean rushed into the fire and saved two kids ( Hugo 44 ) . Finally, the public sees the alterations in Valjean, though they know non his true individuality. Yet, His character continues to alter for the better. Jean Valjean s goodness seems to cognize no bounds when he saves an guiltless adult male from life imprisonment merely by giving his ain freedom. Valjean alterations for no other ground than personal will and pure-heartedness. Clearly, Valjean s development from villain to enshrine exemplifies Hugo s

command of character alteration.

Hugo uses both Fantine s physical visual aspect, every bit good as her wealth, or deficiency thereof, to picture her invariably falling position. Fantine begins rather meekly. She bears a girl out of marriage named Cosette. While Valjean alterations as a consequence of his pure bosom, Fantine alterations for the love of her girl. To reinstate this point, Hugo provinces, the adult female had nil in the universe but the kid ( Hugo 37 ) . Hugo ab initio describes Fantine in this citation, a workingwoman. immature and beautiful ( Hugo 36 ) . Fantine possesses but 80 francs in the universe, but she tenders 75 of them to house her kid for a month. Already, Fantine begins to give herself for her kid. Fantine returns place and shortly acquires a occupation to back up the fees enacted upon her by the Thenadiers. At this point, Fantine s life seems to alter for the better. Sadly, an unapproved dismissal from her occupation leaves her penniless one time once more. Now unable to back up her kid, she must seek for a new signifier of income. From this the reader can find how her deathless love for her kid adversely impacts her life. Furthermore, her societal, physical and fiscal places become steadily more atrocious. A Barber informs her that he will pay 10s francs for her hair. Immediately, she replies, cut it off ( Hugo 54 ) . Soon afterwards, Hugo describes her smiling in the statement, the corners of her oral cavity were stained with blood. the two dentitions were gone ( Hugo 57 ) . This physical debasement clearly portrays Fantine s steady development to annihilation. After a short clip, Fantine falls ailment and passes off. This brief outline obviously represents the entire devastation of Fantine. To sum up, Fantine evolves negatively until her devastation, in order to salvage her kid.

To recapitulate, Jean Valjean evolves from a detested villain to a darling sufferer as a consequence of his pure bosom. Fantine evolves in rather the negative way. Fantine, nevertheless, evolves because of the greed of society seeking to put a pecuniary value on the infinite love for her girl. Despite the differences, both characters undergo a alteration. Clearly, both of these characters make an development of individuality.

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