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A Rose For Emily 7 Essay, Research Paper

Power and Love in & # 8220 ; A Rose for Emily & # 8221 ;

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One of the most often anthologized narratives by William Faulkner, & # 8220 ; A Rose for Emily, & # 8221 ; is the singular narrative of Emily Grierson, an aging old maid in Jefferson, whose decease and funeral draws the attending of the full town, & # 8220 ; the work forces through kind of respectful fondness for a fallen memorial, the adult females largely out of curiosity. & # 8221 ; The nameless storyteller, which can be identified as & # 8220 ; the town, & # 8221 ; in a apparently hit-or-miss manner relates cardinal minutes in Emily & # 8217 ; s life. In this narrative, Faulkner discusses the battle for power relation to love. Emily believes that power and love are synonymous.

The first portion of Emily & # 8217 ; s life is spent with her male parent, Mr. Grierson. Two cousins visit her a piece after her male parent s decease, but otherwise no other household members are mentioned. Emily & # 8217 ; s male parent has great control over her actions. He has power to maintain her from happening a life outside of his: & # 8220 ; We remembered all the immature work forces her male parent had driven away. & # 8221 ; Emily learns through her relationship with her male parent that the lone manner to love is through power. He dies when Emily is about 30 old ages old, and, while it gives her freedom, she mourns his decease. The power held over her, which Emily interprets as love, is gone.

Emily ne’er experiences a normal relationship. The townsfolk do non experience fondness for her in the traditional sense. Alternatively, they regard Emily as & # 8220 ; a tradition, a responsibility, and a attention ; a kind of familial duty upon the town. & # 8221 ; Emily is slightly of a hermit. After her male parent s decease, she is non seen for a long clip. Two old ages subsequently, after her lover Homer Barron disappears, she stays entirely inside her house for at least ten old ages. During this clip, her lone relationship with another individual is with her manservent, or Negr

O, Tobe. This relationship mimics that with her male parent in that she holds power over him. Faulkner s mention to Tobe as the old Negro instead than by his name, while congruent with feelings of that clip, reinforces the nature of their impersonal, servile relationship. Once once more, Emily replaces fondness with power.

After her male parent s decease, Emily is eventually able to hold a romantic relationship. She has a crack with a Yankee route paver, Homer Barron. It seems, nevertheless, that she is more enamored with the relationship than he. Emily had been to the jewelry maker s and ordered a adult male s lavatory set in Ag, with the letters H. B. on each piece. . . .We [ the town ] said, They are married. Homer, nevertheless, comments that he was non the marrying type. Emily so uses the lone means she knew how to keep onto her lover. She embraces power by slaying him to keep him down and maintain him at her side forever.

As we can see from the tragic stoping of the narrative, power does non ever give us everything we desire. Emily had power over Homer Barron, but she did non obtain his love. Alternatively of keeping a lover by her side, Emily clung to a lifeless, rotten organic structure. In the narrative, Faulkner indicates that Emily may hold realized this. Her hair turns grey and she becomes monstrously fat. That she no longer has power over her ain physical visual aspect symbolizes that she no longer loves, or has assurance in, herself.

Forty old ages after Homer s decease, Emily dies at age 74 and her secret is discovered. Tobe becomes free at the decease of his maestro, typifying the release of power and its disassociation with fondness. In the really last sentence, we saw a long strand of iron-grey hair, we realize the hapless nature of Emily s life and sympathize with her. She ne’er experiences true love outside of the restrictive reigns of power.

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